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.NET Core 1.1 downloads for Linux, macOS, and Windows.NET is a free, cross-platform, open-source developer platform for building many different types of applications. Liquivid 1.8.1 can be downloaded from our website for free. This tool was originally created by Mr. Liquivid lies within Multimedia Tools, more precisely Editors & Converters.
FIXED with Video Improve v2.8.1, Easy Cinemagraph v1.9.1, Video to HTML5 v1.6.1 and everything else in v1.4.0 - if you are affected by this, please make sure to update your software. With the new security features introduced in macOS 10.15 Catalina, opening any of our apps will show the below warning /. Descarga fiable para Windows (PC) de liquivid GRATIS. Descarga libre de virus y 100% limpia. Consigue liquivid descargas alternativas.
OK, confession time. I really fell in love with the Raidho C 1.1 when I heard it at a recent RMAF, but I couldn’t justify the $17k required to make it mine. But I came upon the Vivid V1.5 at a show (I actually can’t remember which one) and ended up really admiring it, in fact it struck me as a “poor man’s Raidho”. The V1.5 sells for around $8000 and doesn’t require expensive stands, so it struck me as the next best thing at a price I decided I COULD spring for. Glyphs 2 6 (1192) download free. And so, decision made, the deal was done.
They arrived in shipping crates so substantial that it would not have been easy for them to sustain damage and none was noted. Mine are in the “Graphite” finish, quite expertly applied. So far, strictly class act, which gives a great first impression. Would they make me forget the Raidho’s?
Vivid Audio is a speaker company based in South Africa with its roots firmly in the UK, specifically with B & W, one of the most respected speaker companies in the world. B & W needs no introduction, but Laurence Dickie might. He was the man responsible in large part for B & W’s ambitious Nautilus loudspeaker (among others) and the Vivid audio range is his latest thoughts on home monitor loudspeakers. Vivid Audio manufactures two basic lines, the larger, more elaborate and expensive GIYA series and the Oval series. The V1.5 is the least expensive in the Oval series, but despite that shares a fair amount of the companies characteristic technology. Their speakers are almost all floor standing, either full-sized or smaller with what are basically integrated stands. The cabinets are made of loaded carbon fibre filled polymer and are smoothly rounded and nicely finished, giving a luxurious, yet somewhat esoteric appearance. The Vivid line will not be to everyone’s esthetic tastes, I suspect, but I like them.
The cabinets are not the only unique part of the Vivid line. The drivers are also of high-tech modern design and incidentally, built in-house at Vivid. The V1.5 employs a 26mm dome tweeter featuring an anodised aluminium diaphragm and an integrated “Tapered Tube” device, designed to optimally load the driver. The woofer is a 158 mm unit also with an anodised aluminium alloy cone on a die-cast aluminium chassis. To minimise the restriction of the rear wave off the back of the diaphragm, the radially polarised magnet assembly is mounted on a series of narrow struts. The woofer is also is mounted on silicone O-rings, ensuring chassis vibration is minimally coupled to the cabinet. All in all, a lot of technology is brought to bear here.
And so on to a few specs from the manufacturer. The sensitivity is rated at 89dB/1w @1m with an 8 ohm Nominal Impedance. The frequency range is specified as 40 hz to 42,000 hz at their 6dB points and the frequency response is rated at 42 hz to 39,000 hz +/- 2dB on their reference axis. Harmonic distortion is 0.5% over their frequency range. The crossover frequency between to woofer and tweeter is set at 3000 hz.
So OK, how does it sound? In a word, impressive. Not in a “grab your ear in a demo” way (though it can do that with the right recordings), but in a natural, musically consonant way. The drivers do not betray much of their metal diaphragm material, an impressive feat considering that there is also seemingly little contribution to the sound due to cabinet resonances (which can sometimes cover up the sins of less capable drive units). The previously reviewed KEF LS-50 also took pains to employ a low-coloration cabinet and like the Vivid, the excellently designed driver was an essential part of the success of the system. A low-coloration cabinet with poor or modest drivers would not be a worthwhile exercise, in my view.
What hit me first about the Vivid’s sound was their subjectively low distortion, good resolution and fine soundstage. These were also hallmarks of my take on the Raidho C 1.1 sound, so that was a good first impression. It is true that sometimes the impression of detail can be somewhat a matter of treble resonances or excess treble level, but that did not seem to be the case here. While there is indeed full measure of treble, it never struck me as excessive and never seemed to stick out from the body of the sound but integrate nicely in to the overall presentation. It must be said that many speakers have a somewhat subdued treble from what is on offer here, a strategy to “civilize” some of the more aggressive recordings out there. There is something to be said for this, but I can’t hold it against the V1.5 designers that they choose not to compromise to accommodate dicey recordings. It should however be said that the V1.5 does not do it’s best to make the worst of lesser recordings. It pretty much lays out what the recording sound like, so overbright recordings will still seem overbright, but they do not exacerbate the tendency to make these recordings seem worse than they are like speakers with peaky or resonant tweeters or tweeters in break-up mode can do.
The midrange is, in my view quite good, smooth in response and well balanced with low perceived distortion and coloration. This, with the excellent left to right soundstage spread and good soundstage depth, allows one to listen into the music for subtle details if one desires without overwhelming the listener. There is a sense of clean and pure sound without crossing the line into sterility. In my room (about 14′ by 20′) they played as loud as I would desire (I do not generally listen at the earsplitting levels some do) with a good dynamic sense.
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The bass they have is clean and provides a good foundation for the rest of the aural spectrum but is, of course, somewhat limited in deep bass extension as they employ, after all, effectively a bookshelf speaker sized enclosure. But there is enough there, in my view, to reasonably underpin the music in most cases. And, in common with most smaller speakers, they have a “vertically challenged” soundstage presentation. The effect of a taller soundstage may well be an artifact of larger speakers, planars and line sources and not be something literally captured by the microphones, but it must be said that this sense of vertical height does add a little to the “reality” of the reproduced sound as compared to live concert hall sound.
I do not maintain that there is any one absolute sonic presentation that is “right” while all others are “wrong”. This concert hall works like this, different areas in the hall produce different balance and soundstaging characteristics but ultimately can all be said to be characteristic of the hall’s “live sound”. And so, logically, in my mind this is also true of reproduced sound. Something like my Spendor S-100 loudspeakers provide a more laid-back sound with a more generalized sense of instrument location which is characteristic of a seat in the hall further from the orchestra than the more front hall sound of the Vivid’s. Both of these presentations are valid, which you would prefer depends on your personal preference. Personally, I can admire speakers that honor concert hall sound of whatever perspective they provide.
So no, I haven’t forgot about Raidho, and I do wonder how they would compare in my system. But I also really admire the V1.5 on its own merits. The Vivid’s have always made music that I enjoy listening to and I have not become tired of them even after two years of ownership. They are not cheap but, in my view, provide excellent performance for their price and I can recommend you give them a listen. Coolmuster ios assistant 1 0 93. Any speaker that can cool you jets about a design costing double the price is doing something right!
If you are a video or photography enthusiast, Liquivid is software that can completely change your work life. It offers a seamless way to edit your photos or videos so that you get more time to do what you love being with your camera. This software ensures you spend more time outdoors than sitting in front of your monitor trying to manipulate the captured photos or videos. Liquivid is perfectly suitable for handheld captures, for action cameras and even for aerial footages. The process is so simple that anyone can easily do it and the learning curve is very small with Liquivid.
Although the software is available for both the famous operating systems which are Windows and Mac, it is not yet available for phones.
Why should you use Liquivid?
Since there are so many products available, what makes Liquivid different from the rest of them is the ease of use. You don’t have to be a technical professional in order to use the software. Also, it is quite affordable and doesn’t cost you much. The price which you would pay for the software is completely worth what you get in return. Esko studio web 14 0 1 visualizer download free.
Best features of Liquivid
Although Liquivid is filled with awesome features that can make editing photos and videos easier, following are some of the best features that make the app worth having. Editing comprises of mostly correcting flaws in captures, a lot of features of the software are for removing negative elements.
Stabilization of video footage
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While you are taking videos, there are bound to be some shaky footage. When you are using hand held footage, the chances of frames being shaky are even higher. With Liquivid, you don’t have to worry about it as there is an option which will help you stabilize the shaky part. This result in a better output and the video that you would finally see will be much better than what it was before.
Visual effects
Visual effects can truly enhance how your photos and videos look. It can completely transform the picture or the video with all new effects. These effects are sometimes necessary in order to make the visuals look better. There are many kinds of effects in the Liquivid software and you can play around with different combinations until you find the perfect one.
Remove Lens Distortion
There is something known as the fish eye effect in photos and videos and the process for removing them is known as defishing. They are usually caused by action cameras and wide angle lenses. Liquivid, can easily remove lens distortion or defish them. There are many built in camera profiles in the software (e.g. for GoPro, Sony, Drift, Rollei, SJCAM and others) and you also have the ability to create your own new profiles.
Remove Noise
When you shoot videos or click pictures, there can be conditions where you can’t get enough natural light and need to shoot at high ISO setting (this is camera’s sensitivity to light). In these situations, there usually is a lot of noise in the footage. With the help of Liquivid, you can simply remove any kind of noise from your pictures or videos.
Contrast Improvement
Contrast plays a huge role in how digital photography looks. There are a lot of factors that come into play when contrast is concerned. You have the ability to fine tune the contrast of your photos or videos without much effort. When the contrast is rightly adjusted, it gives a natural feel to your captures. Liquivid ensures that you have complete control over how much the contrast shall be.
Deflickering
Deflickering is a newly added feature in the software which helps in case of time lapses and in certain light conditions (flickering light sources like light bulbs or sometimes strong, direct sunlight). In these cases, you can get uneven exposure between frames (consecutive frames having different brightness), or even within the same frame (parts of single frame being darker than others). With the deflickering feature, you can remove those from your video without much hassle.
Change Play Speed
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You must have noticed in some videos where it gets fast and slow as per the scene requirements, you can do that through Liquivid too. This helps in portraying your video in a better way so that you can use your creativity and make your video fast or slow as you need.
Video cutting
This is a basic feature that is used the most. The video cutting will help you in removing the parts from the video that you don’t need. Not only that, you can actually export only the parts that you need in the final cut and leave the rest of them as it is.
Many supported file formats
No matter what format your file is, Liquivid supports a range of file formats and most of the commonly used formats are supported. For input formats in photos, it supports jpg, png and tiff. For the videos, all the common formats and codecs are supported. Output formats are jpg and png for photos and for videos you can choose between mp4, wmv, or avi.
Sharpen, Rotate and Crop
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Sharpening, rotating and cropping are some of the most basic tools that are used for making photos and videos better. These features are available in Liquivid and one can easily use them for enhancing the overall look and feel of the videos.
Final words
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If you are planning to start using software for editing videos and pictures, Liquivid will be a great start since it is quite easy to use. You can also watch the before/after videos on Vimeo or on its official site http://liquivid.com/processing-sample/ which is a great testimony for the app as you can see the changes for yourself. Once you get used to the app, there is no going back and you will edit all your pictures and videos through Liquivid.
Try Liquivid Now
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Kidal D. is author at LeraBlog. The author's views are entirely their own and may not reflect the views and opinions of LeraBlog staff.